HEAD-TO-HEAD COMPARISON
#36
#1
#3
#1
25
21
8
5
17.8
42.5
36
46
Titanic $600.7 Million
Avengers: Endgame $858.4 Million
$1.5 Billion
Box Office
$4.8 Billion
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CAREER RANKING HISTORY
FILMOGRAPHY COMPARISON
Kate Winslet
36 theatrical releases • $1.5 Billion Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 2019 | Meari to majo no hana | $2.4 Million |
| 2018 | Buttons | $151,983 |
| 2017 | Wonder Wheel | $1.4 Million |
| 2017 | The Mountain Between Us | $30.3 Million |
| 2016 | Triple 9 | $12.6 Million |
Mark Ruffalo
46 theatrical releases • $4.8 Billion Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 2019 | Dark Waters | $11.1 Million |
| 2019 | Captain Marvel | $426.8 Million |
| 2019 | Avengers: Endgame | $858.4 Million |
| 2018 | Avengers: Infinity War | $678.8 Million |
| 2017 | Thor: Ragnarok | $315.1 Million |
Career Comparison Summary AI-generated historical comparison. Click to expand.
Note: Films released during the selected year influence the following year's rankings.
As of the selected ranking year, Kate Winslet and Mark Ruffalo form a comparison shaped more by career pattern than by any single credit. Selected-year rank is the clearest ranking-side separator, with Mark Ruffalo holding the stronger position in this snapshot.
Commercial scale is another meaningful divider, with the career domestic box office measure giving Mark Ruffalo the larger theatrical footprint. From a historical perspective, the matchup leans toward Mark Ruffalo and remains tied to the selected ranking season.