HEAD-TO-HEAD COMPARISON
#4
#1
#3
#1
2
2
2
2
3.5
1.0
10
19
The Godfather $133.7 Million
On Golden Pond $119.3 Million
$328.8 Million
Box Office
$565.7 Million
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CAREER RANKING HISTORY
FILMOGRAPHY COMPARISON
Al Pacino
10 theatrical releases • $328.8 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1980 | Cruising | $19.8 Million |
| 1979 | And Justice for All | $33.3 Million |
| 1977 | Bobby Deerfield | $9.3 Million |
| 1975 | Dog Day Afternoon | $46.7 Million |
| 1974 | The Godfather Part II | $47.5 Million |
Jane Fonda
19 theatrical releases • $565.7 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1981 | Rollover | $10.9 Million |
| 1981 | On Golden Pond | $119.3 Million |
| 1980 | Nine to Five | $103.3 Million |
| 1979 | The Electric Horseman | $61.8 Million |
| 1979 | The China Syndrome | $51.7 Million |
Career Comparison Summary AI-generated historical comparison. Click to expand.
Note: Films released during the selected year influence the following year's rankings.
Looking at the Hollywood Rankings in 1981, this matchup highlights how differently two careers can score within the same historical snapshot. The category score gives Jane Fonda the broader edge, though the result remains a comparison of career outcomes rather than personal popularity.
Commercial scale is another meaningful divider, with the career domestic box office measure giving Jane Fonda the larger theatrical footprint. Overall, the head-to-head score leans leans toward Jane Fonda, but the strongest context comes from the categories where the gap is clearest.