HEAD-TO-HEAD COMPARISON
#5
#1
#5
#1
1
1
1
1
5.0
1.0
12
17
Jaws $260.7 Million
Nine to Five $103.3 Million
$487.9 Million
Box Office
$435.5 Million
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CAREER RANKING HISTORY
FILMOGRAPHY COMPARISON
Roy Scheider
12 theatrical releases • $487.9 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1979 | Last Embrace | $1.5 Million |
| 1979 | All That Jazz | $37.8 Million |
| 1978 | Jaws 2 | $77.7 Million |
| 1977 | Sorcerer | $12.0 Million |
| 1976 | Marathon Man | $21.7 Million |
Jane Fonda
17 theatrical releases • $435.5 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1980 | Nine to Five | $103.3 Million |
| 1979 | The Electric Horseman | $61.8 Million |
| 1979 | The China Syndrome | $51.7 Million |
| 1978 | Coming Home | $32.7 Million |
| 1978 | Comes a Horseman | $9.6 Million |
Career Comparison Summary AI-generated historical comparison. Click to expand.
Note: Films released during the selected year influence the following year's rankings.
The 1980 comparison presents Roy Scheider and Jane Fonda through the ranking data available at that point in time. Average Rank adds useful texture here, pointing to Jane Fonda as the steadier high-ranking presence across eligible seasons.
The category score gives Jane Fonda the broader edge, though the result remains a comparison of career outcomes rather than personal popularity. Taken together, the comparison suggests leans toward Jane Fonda while still showing distinct strengths on each side.