HEAD-TO-HEAD COMPARISON
#2
#1
#1
#1
20
20
11
3
9.9
24.2
36
13
Mrs. Doubtfire $219.2 Million
Twister $241.7 Million
$2.1 Billion
Box Office
$530.5 Million
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CAREER RANKING HISTORY
FILMOGRAPHY COMPARISON
Robin Williams
36 theatrical releases • $2.1 Billion Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1999 | Jakob the Liar | $5.0 Million |
| 1999 | Bicentennial Man | $58.2 Million |
| 1998 | What Dreams May Come | $55.4 Million |
| 1998 | Patch Adams | $135.0 Million |
| 1997 | Good Will Hunting | $138.4 Million |
Helen Hunt
13 theatrical releases • $530.5 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1997 | As Good As It Gets | $148.5 Million |
| 1996 | Twister | $241.7 Million |
| 1995 | Kiss of Death | $14.9 Million |
| 1992 | The Waterdance | $1.7 Million |
| 1992 | Mr. Saturday Night | $13.4 Million |
Career Comparison Summary AI-generated historical comparison. Click to expand.
Note: Films released during the selected year influence the following year's rankings.
At this point in the rankings, Robin Williams versus Helen Hunt is best read as a compact career snapshot rather than an all-time verdict. Commercial scale is another meaningful divider, with the career domestic box office measure giving Robin Williams the larger theatrical footprint.
Elite Top 10 presence favors Robin Williams, whose advantage across Top 10 seasons gives the comparison more long-range context. The comparison therefore points leans toward Robin Williams, with the most meaningful separation coming from the highlighted career measures.