HEAD-TO-HEAD COMPARISON
#17
#1
#17
#1
1
1
0
1
17.0
1.0
7
17
The China Syndrome $51.7 Million
Nine to Five $103.3 Million
$106.7 Million
Box Office
$435.5 Million
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CAREER RANKING HISTORY
FILMOGRAPHY COMPARISON
Michael Douglas
7 theatrical releases • $106.7 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1980 | It's My Turn | $11.0 Million |
| 1979 | The China Syndrome | $51.7 Million |
| 1979 | Running | $6.0 Million |
| 1978 | Coma | $30.0 Million |
| 1972 | Napoleon and Samantha | $5.2 Million |
Jane Fonda
17 theatrical releases • $435.5 Million Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 1980 | Nine to Five | $103.3 Million |
| 1979 | The Electric Horseman | $61.8 Million |
| 1979 | The China Syndrome | $51.7 Million |
| 1978 | Coming Home | $32.7 Million |
| 1978 | Comes a Horseman | $9.6 Million |
Career Comparison Summary AI-generated historical comparison. Click to expand.
Note: Films released during the selected year influence the following year's rankings.
At this point in the rankings, Michael Douglas versus Jane Fonda is best read as a compact career snapshot rather than an all-time verdict. Selected-year rank is the clearest ranking-side separator, with Jane Fonda holding the stronger position in this snapshot.
Career peak is the clearest ranking-side separator, with Jane Fonda holding the stronger position in this snapshot. Overall, the head-to-head score leans leans toward Jane Fonda, but the strongest context comes from the categories where the gap is clearest.