HEAD-TO-HEAD COMPARISON
#20
#1
#8
#1
25
12
2
3
18.8
32.3
35
24
Signs $228.0 Million
Chicago $170.7 Million
$2.3 Billion
Box Office
$1.0 Billion
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CAREER RANKING HISTORY
FILMOGRAPHY COMPARISON
Mel Gibson
35 theatrical releases • $2.3 Billion Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 2004 | Paparazzi | $15.7 Million |
| 2003 | The Singing Detective | $337,174 |
| 2002 | We Were Soldiers | $78.1 Million |
| 2002 | Signs | $228.0 Million |
| 2001 | The Million Dollar Hotel | $59,989 |
Renee Zellweger
24 theatrical releases • $1.0 Billion Domestic
| Year | Movie | Domestic Box Office Domestic BO |
|---|---|---|
| 2005 | Cinderella Man | $61.6 Million |
| 2004 | Shark Tale | $160.9 Million |
| 2004 | Bridget Jones: The Edge of Reason | $40.2 Million |
| 2003 | Down With Love | $20.3 Million |
| 2003 | Cold Mountain | $95.6 Million |
Career Comparison Summary AI-generated historical comparison. Click to expand.
Note: Films released during the selected year influence the following year's rankings.
The 2005 comparison presents Mel Gibson and Renee Zellweger through the ranking data available at that point in time. Selected-year rank is the clearest ranking-side separator, with Renee Zellweger holding the stronger position in this snapshot.
Career peak is the clearest ranking-side separator, with Renee Zellweger holding the stronger position in this snapshot. Taken together, the comparison suggests leans toward Mel Gibson while still showing distinct strengths on each side.